The 19th century saw a great rise in popularity of gentlemen's clubs that took over the role of coffee houses as places where men could meet, share news, and debate ideas that were much too serious for rambunctious settings of alehouses. By the later part of the century, gentleman's clubs would often occupy an entire building, with the interior consisting of a formal dining room, a library, and parlors for reading, gaming, and socializing. Many clubs also began to offer fitness amenities such as gymnasiums and courts for racquet sports.
Not to be outdone by gentlemen on the other side of the Atlantic, the ever-competitive New Yorkers established a number of gentlemen's clubs characterized by their members' interests in heritage, politics, the arts, and sports.
One of the first sports clubs, The Racquet Court Club, opened in New York in 1876 and offered its members two racquet courts, an indoor running track, and two bowling alleys. But it was not until 1890 that, after merging with Racquet and Tennis Club, the members of the club were able to engage in a game of real tennis on two of the club's courts.
The club continues to play an important part in New York City’s social and athletic life. Each year, the members of The Racquet Court Club are active in the Squash Doubles League and alternate between hosting the prestigious Kellner Cup and a Squash Doubles Association Pro Tour Challenger Event.
Over the years, the club has amassed an archive of documents and photographs illustrating its history and depicting the famous athletes who were members of the club. Many of those items have seen better days and, over the years, have faded, torn, and stained. Digital archiving and restoration allow to reduce the impact of frequent handling and exposure to harmful light on the original photographs and documents and to remove the signs of any damages that may have occurred over the years.
Sebastian Wintermute feels there are no substitutes for an artist's keen eye and attention to the smallest details in restoration. Avoiding the use of “dust and scratch filters” that often remove small but exceptionally important details and contribute to an overall loss of image quality, Sebastian manually retouches every image, preventing loss of quality and clarity caused by the use of shortcuts and reliance on automated image processing and editing.
Images intended for digital archives are subjected to extra scrutiny to assure that during restoration and retouching, no details were lost, damaged, or misinterpreted. Following examination and acceptance by a client, archival images are saved at a maximum allowed resolution in lossless digital formats. Special digital storage media, such as Gold Archival Grade DVDs designed to last for over 100 years when properly stored, are used to record and deliver the images to clients.